Behringer C-2 Review – Bang for the Buck Condenser Mic?

Updated on by Ross McLeod | There may be affiliate links on this page.

In many scenarios, it’s beneficial to have two identical condenser microphones at your disposal. The Behringer C-2 is an affordable solution to your recording needs.

Whereas some microphones are built for a specific purpose, the C-2 set is highly versatile. They can be used as drum overheads, acoustic guitar mics, or a pair of condensers to capture the sonic range of a piano and more.

It’s certainly possible to get high-quality recordings without spending a small fortune. The Behringer C-2 condenser microphones prove this.

In the following guide, I’ll dissect the pros and cons of this pair of small-diaphragm microphones for your benefit.

Behringer C-2 - Overview

The C-2 condenser mics feature the following components and attributes:

  • Cardioid polar pattern
  • Low-mass diaphragm
  • 20Hz-20kHz frequency response
  • Stereo pair
  • 140 dB max SPL
  • Eliminates feedback
  • Capable of both stereo studio recording and live applications
  • Ultra-low noise performance
  • Gold-plated XLR connector
  • High signal integrity
  • Lacks the sonic depth for recording lead vocals

Audio Quality

The C-2 studio condenser microphones are equipped with a cardioid pickup pattern that focuses their attention on sound sources that directly face the capsule.

Due to the narrow design of the microphones, they are resemblant of the shotgun mic design. However, compared to those devices, the C-2 matched pair of mics are significantly more versatile.

For the price, you’ll struggle to find a pair of condenser microphones that boast the sound quality of the Behringer C-2s. This is partially due to the low-mass diaphragm, which expands the frequency response and maximizes sound reproduction.

A common issue encountered by musicians when using a matched pair of condenser microphones is low-frequency distortion. This problem is amplified by two microphones being operating in the same way.

Behringer has commendably combated this issue by designing the C-2 mics with transformerless FET outputs. This eliminates the bass-heavy rumbles that can potentially spoil your recordings or performances.

With an extensive frequency response spanning from 20Hz-20kHz, the C-2 is capable of capturing any acoustic or electric instrument with pristine clarity.

Build Quality

One of the criticisms leveled at Behringer in the past, especially where their stompbox effects pedals are concerned, was a lack of durability.

However, the C-2 condenser microphones are robustly designed, with metal die-cast bodies shieldin the inner components from the rigors of recording or performing.

Another design feature by Behringer which further improves the build quality of these condenser microphones is the gold-plated, 3-pin XLR connector.

Not only does this hold the cable firmly in place, but it also improves signal integrity dramatically.

The C-2 microphones are built for heavy usage. They alleviate the concerns surrounding the durability and roadworthiness of Behringer’s products.

Versatility

The main advantage of purchasing a pair of identical condenser microphones is that it allows you to record sound sources in stereo.

The Behringer C-2s can be used for a range of purposes, including drum overhead recordings, capturing acoustic guitar unamplified, or picking up the ambiance of a vocal ensemble.

A feature that improves the versatility of the microphones is the switchable low-frequency roll-off, and input attenuation. This makes it possible for you to instantly reduce the bass frequencies from your recordings without needing to adjust the settings in your DAW.

If you’ve ever recorded an instrument or sound source using multiple microphones, you’ve probably encountered the issue of phase. This can completely wreck your recordings if it isn’t treated at the source.

Phase issues are caused by microphones being positioned incorrectly. Although they can be rectified to an extent using plugins and audio effects, it’s better to solve the problem before recording.

Using two identical condenser microphones is a great way to ensure that you minimize the risk of phase issues in your recordings. You can experiment with off-axis positions until you find the optimal setup for capturing audio.

Additional Features

Also included with the Behringer C-2 are several additional devices and components for improving the microphone’s overall performance.

Firstly, there’s the carry case that makes transporting the pair of microphones from one place to another much easier.

You also get a pair of stand mounts for securing the mics for recordings, a stereo bar, and windscreens for blocking out plosives.


Conclusion

With so many condenser microphones to choose from, identifying the right choice for your requirements can be a difficult task. It’s even more tricky when you’re looking for a matching pair!

The Behringer C-2 microphones, with their extensive frequency response, high SPL handling, and focused cardioid polar pattern, are a wonderful option. And they’re also great value for money.

If you need condenser microphones that can fulfill many roles in the recording studio or on the stage, I’d highly recommend considering the Behringer C-2 matched pair.

About Ross McLeod

Ross McLeod is a songwriter, multi-instrumentalist and producer. His most recent project is named Gold Jacket, and he is the frontman and bassist of the garage rock band The Blue Dawns with whom he has released 4 EPs and toured extensively.

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