Best Studio Monitors for Hip Hop & Rap Music – Powered Speakers

Updated on by Ross McLeod

One of the most important things for hip-hop and rap producers is making sure your tracks sound crisp and clean during the mixing process. That’s why high quality studio monitors are a necessity.

In this article I’ve selected the best speakers for hip hop and rap musicians, each one providing power, clarity and of course plenty of bass!

4 Best Studio Monitors for Hip Hop & Rap Music

JBL’s 305P MkII monitors are a nearfield option perfect for hip hop production. Utilising the advanced features from their popular 7 Series, JBL created a set of powered speakers which boast rich low end and decorative highs.

It’s highly important to be able to hear every individual part of your mix when making hip-hop, as one problematic frequency can ruin the whole track. With accurate stereo imaging thanks to an innovative waveguide, the 305P MkII monitors are well balanced.

Another notable feature is the MkII’s broad sweet spot. This means that you don’t have to be sat in the acoustically-perfect mixing spot to hear a clear representation of your music.

Using JBL’s patented Slip Stream low-end port, these monitors give you a surprisingly crisp low end even at low volume levels. With a built in HF trim switch, you can take some harshness out of the higher frequencies if required.

  • Frequency response between 49Hz-20kHz
  • HF trim switch for quickly rolling off the high end
  • Broad sweet spot
  • Boundary EQ settings
  • Lack warmth in the mid-range

The Yamaha HS8 monitors feature the iconic white-centered woofer design which the manufacturer is well known for. I personally use the HS7’s which are a smaller version, and I’m delighted by the detail they provide.

Yamaha has installed the HS8’s with high performance drivers and a solid mounting system. The drivers deliver brilliant audio performance that is complemented by the mounting system and the acoustics it provides.

With extra thick tweeter frames, you get accurate and smooth bass response even when the monitors are cranked up to their upper limits.

The HS series features extra large magnets. This helps to deliver a thick, beefy sound with a tightly controlled flux field and clarity across the whole frequency range.

With built-in room control, you can take the HS8 monitors out of your studio and still get optimal response without known the exact acoustics of the room you are mixing in.

  • High performance drivers
  • Mounting system
  • 38hZ to 30kHz frequency response
  • Pristine clarity across the frequency spectrum
  • None

The next set of monitors for hip hop and rap music on our list is the ADAM Audio T7V’s. These affordable speakers feature a 7 inch low-frequency driver which gives you clean and powerful bass tones all the way down to 39Hz.

Adam Audio’s patented U-ART accelerated ribbon tweeter provides sparkling highs. The tweeter has a broad, balanced dispersion pattern which is backed up by precise waveguide, widening the monitor’s sweet spot.

You’ll be able to hear the drums knocking in your hip-hop beats with these monitors. They are capable of reaching an impressive 110db in volume, so cranking up the mixes isn’t an issue.

If you’re looking for high quality monitors specifically for making rap music, there are few which boast better value for money than the Adam Audio TV7’s.

  • Large sweet spot
  • Frequency response of 39Hz to 25kHz
  • Powerful bass reproduction
  • U-ART accelerated ribbon tweeter for clear highs
  • Sold individually

I’ve been admiring the growth of Kali Audio for some time now, and the LP-6 is a well respected studio monitor which is ideal for hip-hop and rap. Don’t let the modest price tag fool you, the LP-6 provides a great deal of accuracy and detail.

With a completely flat frequency response, these monitors don’t produce any distortion even when pushed towards their limits. There’s ample headroom with the LP-6, and for a 6.5 inch speaker it boasts impressive rumble in the bass-frequencies.

These monitors include an integrated Class D power amp, multiple balanced XLR and TRS inputs and along with an unbalanced RCA input so you don’t need to worry about connectivity.

The low-noise port tube installed at the bottom of the monitor allows all of the air to exit the speaker at an equal velocity, avoiding the common issue of turbulence from port tubes.

  • Flat frequency response
  • Hardly exhibits any distortion
  • Accurate low end response
  • LF/HF trims installed
  • Not sold as a pair

The Most Important Features for Hip-Hop & Rap Monitors

Mixing hip-hop is very different to mixing rock or jazz, for example. Therefore, you need certain features and capabilities from monitors when making rap music, due to the common frequency ranges used in the genre.

The first thing we need to ensure is that the speakers have adequate bass frequency response. Subs and 808 bass are commonly used in hip-hop so we need the monitors to get down to at least 40hKz in order to get a clear representation of the track’s low-end.

I’d also recommend looking for monitors which have a mostly flat frequency response. It’s common in pop music to want some enhancement in the high-mids, as that’s where the color of the track comes through.

In hip-hop, there’s generally less emphasis on the higher frequencies and more on the tight bass. Some monitors will boost certain frequencies, so it’s worth checking that this isn’t too extreme as it may distort your mix.

Summary

Hopefully you’ve not got all the information required to decide which of these monitors is best suited for your rap and hip-hop productions. Some of the options are more high-end than others, and although it’s usually true that you get what you pay for, with studio monitors, it really comes down to your personal preference.

A good thing to do when you get a new set of speakers is to listen to some of your favorite tracks though them, and make notes of how each aspect sounds. You can then use this as a blueprint for your mixes while you get accustomed with your new monitors.

Ross McLeod
    Ross McLeod
     

    Ross McLeod is a songwriter, multi-instrumentalist and producer. His most recent project is named Gold Jacket, and he is the frontman and bassist of the garage rock band The Blue Dawns with whom he has released 4 EPs and toured extensively.

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