9 Best In Ear Monitors for Drummers – Isolate the Finest Sounds

Updated on by Gavin Whitner | There may be affiliate links on this page.

Have you recently been hunting for that elusive perfect pair of in ear monitors? Yes, the ordinary earbuds simply don’t cut it when it comes to isolating the noise around you.

You’ve probably realized that the snare and the cymbals are just too loud, so you have to compensate by cranking up the volume in your earbuds until your ears bleed.

This is where in ear monitors hit the stage, as you get near perfect isolation of outside noises. And, you can still enjoy a nice mix of your band without having to experience tinnitus for days after a gig. They’ve also become quite popular lately just for listening to music.

The best in ear monitors for drumming will not only keep you from going deaf but also improve your playing as they will improve your technique and coordination - because you can finally hear what you’re playing without blaring it through a pair of incapable earbuds.

9 Best In Ear Monitors for Drummers

Here are a handful of products that you might find interesting because I’ve spent quite some time fiddling around and finding what would work best for my fellow musicians. Check out my reviews below for 9 most suitable in ear monitors for drummers out there.

Let’s start off with one of the most well-established models available on the market, coming from one of the most reputable manufacturers where microphones and headphones are concerned. These babies were derived from Shure’s much more expensive models, road-tested and developed with professional musicians from all genres of music.

Compared to other products, the SE215 is fairly competitively priced and it’s quite fair to say that you get a good bang for your buck. Unlike most of its competitors, Shure relies on a good old Single Dynamic Driver for the delivery of sound into your ears. The amount of bass frequencies delivered from such a small package is quite respectable.

As far as noise insulation is concerned, the SE215 block out most noise. If you’re not playing in packed stadiums these in-ear monitors will live up to your expectations.

There are three different sizes of flexible foam sleeves to choose from and these are some of the best IEMs for drummers as far as comfort is concerned.

They’re a little on the warm side of the sound spectrum. While the bass frequencies are impressive, I feel that they could have better high-end, especially when you need to hear a click track in your ears.

Another thing that I felt with my SE215s is that they took a while to get used to in terms of comfort. Putting them in your ears isn’t the easiest thing to do at first.

  • Coming from a very reputable manufacturer
  • Competitively priced
  • Very comfortable to wear after getting used to them
  • Good noise insulation
  • May not fit all ears perfectly
  • Could do with a bit more high-end

The M6 pros are often referred to as the more affordable version of the SE215s. They offer many of the same qualities, yet the price is halved.

At first glance, these babies look really handsome, and the clear finish makes it easy to take a look inside and check out all the intricate circuitry in charge of delivering the sound to your ears.

The package you get for the price is quite a hefty one. You get two cables, one of which is equipped with a microphone and a remote control. Both cables are detachable, which is another nice touch in terms of durability and longevity. There are SEVEN different ear tips to choose from - six made from silicone and one made from foam, so you’ll really be able to find the most comfortable combo for your ears.

On the other hand, the sound of these in-ear monitors may not quite live up to the expectations based on the design and visual features. The M6 Pro is quite good with reproducing bass frequencies, but the higher treble range sounds a bit mellow, especially if you like getting some cymbals in your mix.

The sound is a lot harsher than the SE215s and not as balanced. The bass sound is relatively similar, but the mids and highs are slightly weaker. I’d suggest that you use these in-ears as a backup in case anything happens to your main pair.

They’re affordable enough to replace easily and you’d benefit from saving a bit more to get a higher-quality set of in-ears.

  • Elegant design
  • Detachable cables
  • Seven different ear tips to choose from
  • Highly affordable
  • Harsh tones in a few frequency ranges
  • Reproduction of treble frequencies lacks sparkle
  • Better used as a backup pair of in-ears

Moving onto a higher-quality pair of in-ears that are intended for professional use, the UM Pro 30s are tough contenders when it comes to getting a great sound.

The first thing you’ll notice is that the design and the fit is nothing short of perfect. There are ten silicone and ten foam ear tips to choose from. Once you find the ones that conform to your ears or suit your preferences, you’ll be greeted by oodles of sensitivity in the sound.

The in-ears are able to produce loud sounds with very little power. Combine that with the comfortable fit and you’ll have great sounding earpieces that you can wear for hours without ever experiencing any fatigue around your ears.

When we’re talking sound reproduction, these babies can really deliver, and then some. Remember Shure’s in-ear monitors and their single dynamic driver? Well, these come equipped with three different sound drivers - one for high frequencies, one for the midrange, and another separate one for the bass.

These won’t quite live up to a full open monitor sound, but they make your band sound great in your ears. You get a very clear idea of what the mix sounds like thanks to the balanced tones between lows, mids, and highs.

One issue with these in-ears is that they tend to distort at the very low frequencies. Your kick drum will mostly sound fine in them, but it’ll distort if a bass player plays significantly low notes at a loud volume. They’re also very expensive!

  • Excellent build quality
  • Compact design
  • Superb sound reproduction
  • Three-way drivers and crossovers
  • Superior fit comfort with 10 different ear tips
  • Expensive
  • Cable is not detachable
  • Distortion at very low frequencies

Audio-Technica’s ATH-E40 earphones have a modern design which adheres to the philosophy of functionality over form. These quality IEMs offer great performance for their price class.

The ATH E40 in-ear monitors have an over-the-ear construction and flexible memory cables. The cables are detachable and replaceable, adding to the life of the monitors. The ear tips are made of silicone and come in four different sizes, meaning everyone can find a size that fits them comfortably.

On the technical side, these monitors have a two-driver setup, a decently flat frequency response, and are quite light on your ears. They provide excellent sound with a balanced tone between all the frequency ranges.

These in-ears are the same price as the Shure SE215s. The big difference between them is that these are more balanced and have a lighter sound. However, these don’t isolate the sound as much as the SE215s.

This means that the ATH-E40s aren’t the greatest option for live gigging where you need as much isolation as possible in order to hear the mix clearly.

  • Excellent sound
  • Balanced tones
  • Detachable cables
  • Good build quality
  • The sound isolation isn’t great

Another contender from the lower budget part of the market, the Bsinger+ Pro monitors are distinguishable by their eclectic appearance. These are among the prettiest in-ear monitors available, featuring a neat transparent plastic casing that shows off the circuitry inside.

The cables included are hand woven and plated with silver. These unique-looking cables are detachable, further adding to the value of the monitors. One of them even has a remote and a microphone.

Included in the package are a neat carrying case and five different ear tips to choose from. While these in-ear monitors aren’t among the most comfortable of the bunch featured here, they sure look nice.

Just looking at the price tag, you’ll know that you shouldn’t really expect miraculous sound coming out of them, but it sure is nice that they come equipped with two separate sound drivers, one for higher and one for lower frequencies.

The bass is hard to hear at times, so you’ll need to either boost it in your mix or just settle for not having the booming tones.

If you haven’t had any experience with in-ear monitors and you don’t want to break the bank before deciding if you can actually play onstage with such a system, these may just be the right ticket for you.

These in-ears don’t sound as good as the M6s from earlier in the list, but they definitely look better.

  • Very competitively priced
  • Excellent, cutting edge cosmetics
  • Carrying case and detachable cables included
  • Not the most comfortable fit out there
  • Bass is hard to hear at times

The Brainwavz B150s are another relatively inexpensive set of in-ears to check out. They’re not as popular as the previously listed monitors, but that shouldn’t stop you from checking to see how much value they have to offer.

The first thing to note about these monitors is that they’re very comfortable to wear. That can’t be said for most monitors in the same price range, so it already makes them stand out.

The package includes six different silicone ear tips to choose from, so it’s fairly safe to say that they’re going to fit any pair of ears. The build quality is just about average for the price tag. However, the cables is a bit flimsy and can’t be detached.

Moving on to the most important part of the review, the sound reproduction quality is surprisingly good, probably due to the balanced armature. Having a balanced armature basically means that the monitors are designed with a part that is smaller than dynamic drivers, allowing more room for other components that contribute to the sound.

These aren’t the most balanced sounding monitors in the world. Instead, they favor the mid to low range of frequencies. Another small thing that I found to be a bit of a bummer was that the part where the cable meets the earpiece can sometimes rub against your ear, creating a fair bit of discomfort.

  • Comes with a balanced armature
  • Quite a comfortable fit
  • Good sound quality
  • Average build quality
  • Cable not detachable

Once you get past the uninspiring product name and code, you’ll be greeted by quite an honest pair of in-ear monitors. And if you dig further, you’d discover that PSB is a respected Canadian manufacturer of audiophile speakers.

Even though the design comes off as a bit too chunky, this is probably the best value for money here. It may not offer the niceties of the more expensive models on the list, but the PSB M4U-4 features a dual sound driver system.

A great bonus to these monitors is that they come with two detachable cables, one of which features a microphone and a remote control. There are plenty of different bud tips to choose from, catering to all shapes and sizes.

The best part about these monitors is the immaculate sound quality. They have such a good blend between all the frequency ranges while thriving in the bass tones. You’ll feel like the bass player is standing right next to you with an amp.

The monitors also have excellent sound isolation thanks to the tight fit over your ears. Even though the fit is tight, these feel very comfortable.

One small fault that I found with these is that there’s nothing that prominently distinguishes the left bud from the right besides a small colored strip on each earpiece. If you’re using these on a dimly lit stage, the strip would be quite hard to see.

  • Immaculate sound quality
  • Two detachable cables
  • Six ear tips to choose from
  • Great value for money
  • Somewhat bland design

Moving back to the pricier end of the in-ear monitor market, the ATH-IM02s come from another reputable maker of audio products. When all things are considered, these in-ears don’t break any new ground but are loaded with all the features that make them the best higher-end pick of the bunch.

When compared to their similarly priced rivals, the ATH-IM02s shine much brighter, as they feature two separate sound drivers instead of one.

While you’re reading this article, you’ve surely become a bit spoiled for choice, so you’ll probably be a bit disappointed that the Audio-Technica only has four different ear tips for you to choose from, especially at this price range. But rest assured that these are quite comfortable, even after wearing them for a few hours. The cable included is detachable, which is a nice touch.

Where sound reproduction is concerned, these in-ear monitors will not disappoint, whether you’re craving insanely low bass or the most precise high frequencies. It’s fairly easy to say that these are probably the ones you should consider if money’s no object. They’re undoubtedly the best sounding in-ear monitors on the list.

The included tips aren’t great. For such an expensive set of in-ears, you’d think that they’d be more comfortable. I found that buying separate tips that are more comfortable is the answer to this problem.

  • Superb build quality
  • Detachable cable
  • Excellent sound quality
  • Very expensive
  • Included tips aren’t comfortable

The ERP-10 is one of the champions of the entry-level class and one of my favorites from LyxPro. This affordable IEM set is a good option if you’re on a tight budget or want to test if IEMs are your thing.

These monitors are equipped with one 9mm driver per side. The ear caps are transparent with Lyx logos on them and they also come with six pairs of ear tips – 3 silicone and 3 foam. Lastly, the cables are detachable.

The sound quality is fairly good for the price. The in-ears produce good tones in the mid to high frequencies. They lack a bit in the bass department, though.

I feel that the cable is too short, especially if you’re playing drums. You’ll get stuck if you don’t have a cable extender around to plug into the audio source at your setup.

Other than the weak bass and short cables, these monitors are an excellent option, especially considering their price.

  • Very affordable
  • Detachable cables
  • Six pairs of ear tips
  • Somewhat poor performance in the lowest frequencies

Sound Quality and Insulation

When shopping for in ear monitors as a drummer, you should always be guided by sound quality and the levels of noise isolation.

You need to have a healthy blend of frequencies and considerate amounts of noise insulation, as drums tend to get really loud, especially at rock concerts.

Comfortable Fit

Once you’ve found a pair of in ear monitors that sound great, you also need to consider how comfortably they fit in your ears. You should be able to wear them for hours without experiencing any discomfort or fatigue.

Consider the heat, the sweating, and all other factors that are commonly a part of your daily gigging routine.

Design & Durability

Your in ear monitors should be built to last. Because touring is quite a rigorous prospect, so your equipment needs to be able to withstand it all.

Wired or Wireless?

In-ear monitors made for on-stage use come in two main variants – wired and wireless. While largely a matter of personal preference, you should consider the pros and cons that each option offers. Here are some of the basic characteristics of each approach.

The wired models, as their name says, are connected to the body pack which is, in turn, connected to a mixer via cables. This means that wired IEM systems deliver greater reliability and consistency of performance.

On the other hand, the wearer’s movement is limited by the length of the cable. Drummers, keyboard players, and other musicians and singers who do not move around the stage a lot can benefit greatly from wired IEMs.

The wireless type is there primarily for musicians, actors, and singers who want or need complete freedom of movement. They are connected to a body pack through a cable which is connected to a mixing table via wireless connection.

Sometimes the stage configuration makes it hard to have a wired system. That’s especially true for over-the-top elaborate stages with lots of moving parts (think Iron Maiden stages with airplanes, gallows, sword/guitar fights with a 10ft mascot).

Universal or Custom-Made?

Like any other piece of gear, IEMs can range wildly in terms of price. You can get a pair of decent monitors for under $50 or you can spend over a grand for a top-of-the-line, professional set. While the affordable ones come with universal fit, you can order custom-molded ear-pieces with some of the high-end models. The choice here should depend on your needs.

Universal-fit models make up the vast majority of commercially available IEM systems. They come with either foam or silicone earplugs (sometimes both types are included). On the plus side, universal-fit IEM systems are more affordable and can feature a larger number of drivers for the same price. On the minus side, they might not be as comfortable as the custom ones.

IEMs with custom-made earpieces are expensive and take some time to make. If you opt for a pair of these, you will first have to visit an audiologist to have them make molds of your ears. After that, the molds will be used to shape the plugs. Apart from superior comfort, custom-made IEMs offer additional customization possibilities.

Number of Drivers

In-ear monitors can pack anywhere between one and eight drivers per monitor. This is partially dependent on the price and the quality of the drivers themselves (a set of monitors with two top-notch drivers per monitor will cost you more than a set of not-so-great three-driver system).

As with your regular studio monitors or bookshelf/floor speakers, IEMs use additional drivers to lessen the load on each individual driver and allow them to work with a narrower frequency band.

Models with one driver per monitor are generally among the most affordable. With them, the reproduction of the entire frequency range rests on said driver. While, no doubt, there are single drivers which do a great job, they can’t match the performance of a multi-driver setup.

Those with two and three drivers are the most common. With one additional driver, you will have something resembling the typical woofer/tweeter kind of setup. Throw another one in, and you’ll have one driver for each major section of the frequency range. With all else equal, a three-way configuration will deliver more bass and improved clarity and detail across the board.

Technical Specs

When going through the technical specs of an IEM system, there are four main stats you should pay attention to. These are sensitivity, isolation, impedance, and frequency response. Let’s take a quick look at each of them.

Oftentimes, in-ear monitors have to double as earplugs for musicians who wear them. That’s where isolation level comes in. Isolation is the level of outside noise which a particular set of monitors can filter out. It is measured in decibels (dB). The higher the number, the more protection you will get.

Impedance is measured in ohms (Ω) and represents how resistant your IEMs are to the electric current. Models with higher impedance will draw less power from the source device and they’re easier to drive. Commercially available monitors have impedance rated at 10 to 30Ω.

Sensitivity is measured in dB, but in contrast to isolation, it signifies how much volume a monitor will deliver at a certain power level. It is most commonly measured at 1W. A pair of earphones rated at 107dB sensitivity will play at 107dB when driven at 1W of power. It requires every doubling of power to deliver 3dB extra. So, you’d need 2W to driver those earphones to 110dB.

Frequency response is the range of frequencies a given monitor can reproduce. Have in mind that the human ear can only register the range between 20Hz and 20kHz, and we tend to lose the ability to hear the highest frequencies with age.

Conclusion

When all is said and done, you’ll probably end up with one of these around your ears. In ear monitors are an important piece of equipment and it can take quite some time to find that perfect pair. Hopefully, this article will put you on the right path.

About Gavin Whitner

A guitar player, songwriter, composer, and also the lead editor of MusicOomph, Gavin is one of the four musician friends behind this site. Outside of music, he's an avid sports fan and hardly misses anything from football (soccer) to F1.

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