8 Best Overhead Drum Mics to Capture Your Playing Perfectly

Updated on by Gavin Whitner | There may be affiliate links on this page.

For those of us who still prefer the organic sound of acoustic drums, rather than MPCs and electronic drums, finding the right equipment to record them can be quite a challenge. Your microphones need to be able to sustain high decibel levels over a long period, as well as capture all the various sounds from your kit.

A well-recorded drum can be the difference between a song that sounds like it was done in a professional studio and one that was done at home.

You can be the best drummer in the world, but your recorded sound is only as good as the equipment you use to record.

This is where a pair of good overhead drum mics come in handy – they capture the full sound of the kit and unify the sounds of the other mics. Given their importance and versatility, a pair of high quality overhead mics can be quite an investment.

To help you spend your money wisely and make the right decision, I've made a list of the best overhead drum microphones on the market right now. All of these mics will surely give your kit a great sound going into the mix, while some of them can even be used to capture vocals and different instruments.

8 Best Overhead Drum Mics - Top Options

Here are five excellent overhead drum mics that you can get your hands on.

A pair of sE8s captures the entire drum kit with an amazing amount of nuance and detail. They come with features not commonly found in affordable small-diaphragm mics such as a high pass filter that is switchable between 80Hz and 160Hz.

They have a great low-end response, allowing you to capture the deep tones of the floor tom and kick drum. Many overhead mics fall short in that area, making the sE8s valuable pieces of equipment.

The biggest feature of these mics is their quietness. With high SPL handling, they are ready to take on any sound environment. The mics have two switchable pre-attenuation pads, giving you a fair bit of dynamic range.

The compact design of these mics makes them easily maneuverable. This is great for when you’re playing on a kit that has many cymbals.

Overall, they’re a great pair of condenser microphones that will produce a seriously clean drum tone. 

  • Compact
  • Great low-end response
  • Very quiet
  • None

With a history of over 50 years (Rode started in 1967 as Friedman Electronics), Rode gradually rose to prominence in Australian audio industry, eventually launching their own line of microphones.

Their M5 Matched Pair is a great budget option not only for drums, but for a wide range of acoustic instruments and choirs. It is a small diaphragm mic with low noise and full frequency response, which makes it perfect for small performing and recording spaces that don’t need much augmentation. 

The best thing about this microphone set is the sound matching which makes them a great option if you’re going to be using them to record in stereo exclusively. It features a sleek matte black finish, and comes fully accessorized with WS5 windshields and RM5 stand mounts.

If you’re looking for a bargain without hugely compromising your sound quality, this pair is the way to go.

  • Great for small recording spaces
  • Suitable for a wide range of instruments
  • The most affordable entry on the list
  • The grill is not sturdy, as it’s made of a thin material
  • Not as hot as the more advanced (and expensive) NT5 model from Rode
  • Although it can be used for recording other instruments, they can sound a little boxy in the midrange

The LA120s have cardioid as well as omni capsules and are fitted with both high pass and low pass filters. This makes them a highly versatile option for overhead mics.

They give a great tone to your cymbals, picking up all the nuances and subtle frequencies.

Cymbals will tend to sound a bit bright. However, you can use the lowpass filter if the brightness is too much.

The price point of these mics is their drawcard. The quality you get out of them is superb, sounding way more expensive than they cost. They capture a very clear and crisp high end and the bottom end remains full without sounding muddy.

They come in a classy wooden case with windscreens and firm clips, making the overall product an attractive option.

  • Versatile
  • Great value for money
  • Cymbals may sound too bright

When it comes to budget condenser mics, these C02s are at the top of the game. They provide sound quality that can easily rival higher-priced microphones. They have a high SPL, making them ideal for drums.

They provide serious clarity from your cymbals. The most notable thing is how they react to ride cymbals. Ride cymbal notes will often blend into each other. However, the C02s allow you to hear each distinct note.

They’re not the brightest overheads around. However, that can be fixed with some EQ settings.

If you’re on a tight budget, the Samson C02s are the way to go. They’re also great microphones to have lying around to use whenever you need them. If you’re playing in a risky environment where things could get damaged, you won’t have to worry about spending too much money to replace your overheads.

They will last you a long time since they’re designed to be very sturdy.

  • Highly affordable and great value for money
  • Provides serious clarity from your cymbals. Especially the ride.
  • Durable
  • Not the brightest overhead mics around

If you’ve ever set foot in a studio, you’ve probably seen your fair share of Shure mics, since the name has sat at the top of the industry for some time. It comes as no surprise that the stereo pair of KSM137 is around three times more expensive than the Rode M5 matched pair, as they offer a variety of features which make them extremely versatile in a studio environment.

My favorite of these features is the three-position dB pad that allows you to change the microphone’s input volume. This means you change the mic’s sensitivity to keep it from distorting, which really comes in handy when moving between drums, vocals, and guitar.

Another sweet feature is the low-frequency filter which helps prevent low-frequency rumble and cuts down background noise – extremely helpful when recording a kick drum.

  • Reliable Shure quality
  • Allows you to adjust sensitivity to match different instruments
  • Low-frequency filter that captures bass and kick drum perfectly
  • They can sometimes sound a bit flat
  • The included microphone mounts are not shock-proof, so you may experience some vibrations

If you’re really serious about your recording and you want to invest in a premium product delivers superlative performance, my recommendation is the Neumann KM 184. An industry standard and a microphone that many professional musicians laud for its versatility and sound quality, this mic will surely satisfy even the hardcore sound purists out there.

It captures the sound perfectly with a crisp, clear tone, while eliminating all outside noises. It is extremely durable and can handle the full range of a drum kit for an extended time period, retaining the sound quality and definition in the process. The frequency response is flat and smooth and it captures hi-hats better than any other microphone out there.

If you’re looking for a high-end product and are willing to break the bank for a top product, I fully recommend the Neumann KM 184.

  • Supreme sound quality across the frequency spectrum
  • Exceptionally low self-noise
  • Very high overload capacity
  • The most expensive entry on the list
  • Can sound a bit harsh in the upper midrange on certain settings

The C214 from AKG is a cost-effective alternative to their high-end C414 family, which has been at the very top of the industry for years. However, take the “cost-effective” part with a grain of salt – it’s still substantially more expensive than our last two models, although it’s one of the rare products in the AKG catalog still within four digits.

That being said, this stereo pair is also substantially more versatile. They are made for both studio and live performance, with the ability to record multiple instruments with great accuracy. Its circuitry provides maximum SPL capability with minimum noise, while its sensitivity and durability make it perfect for the sharp attacks of a drum kit.

It comes with a carrying case, windscreen, and an awesome spider suspension mount.

  • Great balance between sensitivity and durability
  • Ideal for both studio and live performances
  • Rugged double-mesh grille which doesn’t affect sound quality
  • Great performance with other instruments and vocals
  • Can come up short on the low-end
  • A bit on the heavier side

Another entry from Rode, the NT1 matched pair is a bit pricier but justifies the increased price tag with a better performance all around. Low ambient noise is very important when you’re recording in the studio, so these microphones should be a perfect choice if you have a thing for clean, noiseless microphones. The NT1 is easily one of the quietest microphones around.

It is also renowned for its great frequency range, which makes it very versatile when it comes to recording multiple instruments or different elements of a drum kit. It produces very detailed highs and lows, creating a balanced sound with high SPL capability that can handle even electric guitars.

At this price range, these microphones would be hard to top.

  • One of the quietest large-diaphragm condensers on the market
  • Detailed sound at both ends of the frequency spectrum
  • Durable and well-built
  • Highs can sound a bit too punchy at times
  • The included pop filter might not be satisfying for some people

Microphone Sensitivity and SPL Ratings

When looking for microphones, you’ll often encounter the term “SPL” among the specifications. This stands for “sound pressure level” and it tells you how much volume a mic can take before distorting. It’s a mechanical measure of the noise-inducted change in air pressure. Aim for mics with high SPL ratings, as they are more likely to endure the force that a drum kit produces.

When it comes to sensitivity (measured in decibels), go for less sensitive mics, as a more sensitive one is more likely to distort. However, if you plan to use an overhead mic for other instruments, don’t buy a microphone with extremely low sensitivity, as it won’t be able to capture the sound of quieter instruments.

The Importance of Matched Microphones

Different mics will have different polar pickup patterns and different frequency responses.

If you try to use two separate mics for X-Y coincident stereo recording, it will result in an unstable stereo image, affecting instruments in various ways.

Most importantly, it takes just a small difference between the two microphones for this problem to become evident.

That’s exactly why manufacturers pay such close attention to matching their microphones perfectly, especially high-end ones. Always go for a matched pair when recording stereo, as it will give you the most complete sound and allow you to focus on other aspects of the recording experience.

Condenser vs Dynamic Microphones

Condenser and dynamic are the two different types of microphones you get. A good drum kit mix will make use of a combination of them. Dynamic mics pick up focused sound sources while condenser mics pick up a wider area of sound.

Since we use overhead microphones to get an overall sound of the drum kit, it’s better to use condenser mics in most situations. A matched pair of condenser microphones will give you a clear picture of all the drums in your setup.

Dynamic microphones will be placed directly facing each drum. It’s entirely possible to get a great recording of your drum kit with only overhead condensers. However, the close dynamic mics will add texture and clarity to the drum kit sound.

If you’re new to using drum microphones, it would be best to invest in some high-quality overhead microphones first. You can get a few dynamic mics later down the line to get a stronger and more clear drum sound.

Microphone Prices

Some microphones have ludicrous prices while others are unexplainably cheap. The big difference between high and low-quality microphones is that high-quality microphones are a lot easier to work with when it comes to post-production.

Drums that are recorded with professional microphones are easier to mix and EQ. Getting a great drum recording won’t be as difficult as it would be with low-quality mics. Keep that in mind when looking for overhead mics to get.

That’s not to say that you won’t get a good sound with the cheaper mics. It’s possible to get a great sounding mix. You’ll just need to work a bit harder to get it.

Final Word

The recording process is a complex endeavor with many elements that work together and many sound principles that need to be well studied if you want to get the best results. A good set of overhead mics stands in the middle of that process, playing a vital part in the shaping of your sound quality.

All of the mics from this list perform really well for their respective price tags and provide you with great options to record your drum kit with more or less additional features. Study all the specs, get familiar with industry terms, and make your choice wisely.

About Gavin Whitner

A guitar player, songwriter, composer, and also the lead editor of MusicOomph, Gavin is one of the four musician friends behind this site. Outside of music, he's an avid sports fan and hardly misses anything from football (soccer) to F1.

Leave a Comment